Ask any two music followers what qualifies as yacht rock, and an argument is bound to ensue.
Does Steely Dan depend? (Absolutely.) What about Hall & Oates? (No, too East Coast.)
In the late Seventies and early ’80s, the time period “yacht rock” was not but a factor. But everybody knew the music of the Doobie Brothers, Toto and Christopher Cross — who swept the 1980 Grammys along with his shimmering ballad “Sailing.”
Those acts topped the charts in an period when slick manufacturing, easy melodies and professional chops dominated the radio waves alongside the country-tinged hits of the Eagles. That would all change when MTV crashed the scene. Suddenly the likes of “What a Fool Believes” and “Africa” had been consigned to the uncool “mushy rock” heap. After the rise of Madonna and Michael Jackson, a number of the earlier wave of musicians moved on to soundtracks, like Kenny Loggins with the “Top Gun” hit “Danger Zone.”
More than 20 years later, in 2005, comedians J.D. Ryznar and Steve Huey retroactively coined a time period for the style with their irony-drenched internet sequence “Yacht Rock.” With its lo-fi aesthetic, the present reimagined musicians like Kenny Loggins and Jimmy Buffett laboring to create the jazzy sounds that evoked a probably cocaine-fueled yacht social gathering. Naturally, the music itself figured closely in every episode. The sequence wound up sparking a yacht rock renaissance, spawning three Sirius XM stations and tribute bands like Yachtley Crew.
One Gen X convert was director Garret Price, whose film “Yacht Rock: A Dockumentary” premieres Friday as a part of HBO’s Music Box sequence. Price beforehand took on a darker story with one other installment of the sequence, “Woodstock ’99.” This time he needed to discover a lighter second in music historical past — and the way the oldies his mother and father beloved got here to achieve a brand new, youthful fandom.
“People at all times romanticize the Eagles and Fleetwood Mac and Carly Simon — the Troubadour scene,” says Price, an editor on the Prime Video miniseries “Daisy Jones & the Six,” which is steeped in a Fleetwood Mac-flavored imaginative and prescient of Seventies L.A. “Yet there’s this entire different scene taking place with Michael McDonald and Christopher Cross and Steely Dan and the Toto guys that I don’t assume will get as a lot recognition,” he says.
Fortuitously, Price had lately met Cross’ daughter – who occurs to be finest associates with ex-Doobie Brother Michael McDonald’s daughter. Madison Cross sparked the thought for the doc, telling Price that her father wasn’t a fan of the moniker, although Michael McDonald discovered it amusing.
Price set about interviewing the primary figures of yacht rock to see how they felt about it. “I at all times needed to stay with the Mount Rushmore — Steely Dan, Michael McDonald, Christopher Cross, Kenny Loggins and Toto,” he says.
At first, Cross says he discovered the newly invented phrase “a bit kitschy.” But now the “Ride Like the Wind” singer says, “Anything that may deliver some levity into this world, I’m pleased to oblige.”
Price says the others principally agreed: “They have come round — they perceive this has given a second life to their music, and it’s introducing them to a legion of recent followers.”
The exception? Notorious curmudgeon and Steely Dan co-founder Fagen, who at first didn’t reply to his overtures.
After a number of months, Steely Dan’s longtime supervisor Irving Azoff informed Price that Fagen would name him someday within the subsequent few weeks. “Be able to report,” Azoff informed him.
Eventually Fagen referred to as, and Price requested him whether or not he would take part within the documentary, explaining it’s about “yacht rock.” The response, as proven within the movie, is transient, profane and 100% pure Fagen.
He may not have needed to go on digital camera, “however on the similar time, he licensed all his music to me. So I feel it’s sort of a wink,” Price says.
Why is Steely Dan’s inclusion within the style so controversial?
“I feel individuals have a tough time with lumping the man that wrote ‘Sailing’ with the man that wrote ‘Peg,’” Price says, referencing the talk over whether or not the cerebral Steely Dan needs to be related to the mushy rock of Cross or Poco.
Whatever their emotions concerning the latter-day label, the bands in Price’s Mount Rushmore have widespread DNA. “It’s rooted in R&B and soul and funk and jazz and Black music, principally. And all of it passed off in Southern California, inside this ecosystem of studios with the session guys,” he says.
And the band proceed to have affect: Modern artists like Questlove, Thundercat and Mac deMarco describe within the doc how these jazzy pop tunes influenced their very own sound. Thundercat even recruited McDonald and Loggins to contribute to his 2017 music “Show You the Way.”
“These are white musicians that had been influenced by Black music. They had been making an attempt to take what they beloved about it and create a brand new sort of period of pop music,” Price says. “It makes a whole lot of sense when hip hop discovers this music of the late ‘70s, to begin sampling with revolutionary artists like De La Soul and Warren G, who leaned into this sort of funky elements of this music.”
It’s becoming, he says, that “Yacht Rock” premieres the day after Thanksgiving, when households is likely to be looking for some cross-generational leisure.
“There’s humor to it, sure, however there’s additionally reverence and love and respect.”