Photoshoots used to terrify Anne Hathaway.
“I used to be all the time so scared about how I used to be going to fail,” she says.
It’s an odd factor to listen to the Oscar winner admit, seeing how she’s lined each main style journal, is the face of manufacturers like Versace and Bulgari and, oh yeah, is a bonafide A-list film star. “Failing” generally isn’t a phrase typically related together with her.
But that’s what’s enjoyable about being let inside Anne Hathaway’s world: She’s eager to peel again the layers.
“I’m somebody who’s sluggish to open — I’m getting a lot, a lot, a lot better at it. But style to me is a enterprise made on creativity and intimate relationships,” she says. “I feel once I was taking a look at it extra from the surface, I didn’t perceive that the enterprise persons are additionally inventive and that the inventive persons are additionally business-oriented and that they actually do deal with one another. And in order that’s the half that I feel I didn’t perceive, is the extent of care and keenness and authenticity. Genuine humanity exists inside style. I recognize that a lot extra now, partially as a result of I do know so many extra individuals in it. When I arrived at that place in a extra significant manner in my life, that was when it opened up for me by way of a tangible relationship in style.”
Playing the Part
Hathaway, who turned 42 in November, broke out in “The Princess Diaries” in 2001, however her foray into the style world actually exploded with the 2006 film “The Devil Wears Prada.” Suddenly she was related to runway reveals, style magazines and types her character Andy wore like Chanel and Fendi.
The film’s costume designer, Patricia Field, says even again then Hathaway had the makings of the style star she is right now.
“She understood [fashion] and he or she preferred it, and that’s one of the best sort of an individual that I may take care of, in my thoughts,” Field says. “Positive, educated, and keen.”
The final a number of years have seen the Oscar winner discover her place within the style scape, with a playful but emotionally led strategy to dressing that’s the handiwork of her partnership with stylist Erin Walsh. They started working collectively in 2019; on the time, Hathaway and her husband, Adam Shulman, had been anticipating their son, Jack, and shortly after she gave beginning Walsh turned pregnant together with her son, Hugo.
“We simply form of went actual deep, actual quick, and now she’s my sister,” Hathaway says.
Their work collectively has resulted in Hathaway’s elevation to fashion icon. Her pink carpet seems, be it a customized ivory tweed Versace robe on the 2023 Met Gala or a white cotton Gap shirtdress worn in Rome earlier this 12 months, turn into immediate fodder for style media. She’s additionally landed main campaigns alongside the way in which: In 2022 she turned the face of Bulgari in 2022, and final 12 months, Versace.
The Versace Woman
“It’s one thing I’m very happy with for lots of various causes. I’m very excited to work for a corporation that wishes to have 40-year-old lady as their face. And by the way in which, 40 years outdated doesn’t must be the ceiling. I like to work with individuals who love you again, and it’s wonderful to be seen by people who find themselves on the lookout for somebody such as you,” she says of her work with Versace.
“One factor that I like about Annie is she has this factor the place I feel she’s discovered the best way to be fully susceptible and clear and genuine about who she is,” Walsh says. “If you take a look at a Versace lady, all the time very highly effective. That works for Annie as a result of not solely is she not afraid to be fully uncooked, fully actual, however with something she does, she does 600 p.c. With these sorts of campaigns, it’s about being each. It’s the dichotomy of being courageous and susceptible sufficient to share your actual self and all of that individual, and I feel that’s why it really works.”
Hathaway, who was born in Brooklyn however grew up in New Jersey, describes herself as a late bloomer, which makes her all of the extra suited to main such manufacturers at this second in her profession.
“I feel there’s a heat to the Versace lady that I used to be afraid of once I was in my 20s. There is a give-and-take and a playfulness and a self-respect, and to respect your self sufficient you could actually really take note of everybody else. That is a key high quality to being a Versace lady. And I wasn’t there but in my 20s,” she admits. “I simply didn’t have any confidence. And I feel that there’s been a lot development. There’s been a lot character growth that’s occurred since then for me in all elements of my life. And so I feel that it’s meant that I couldn’t have been a match for Versace earlier than. I may need been capable of look the half, but it surely wouldn’t have gone as deep.”
Donatella Versace describes it as an “honor” to work with Hathaway.
“Anne is now a part of the Versace household. She is a real icon and I like the way in which she has made Versace her personal,” Versace writes. “I like collaborating together with her and study a lot from her and the way she wears our garments.”
It’s straightforward to see why such designers would wish to connect themselves to Hathaway at this second in her profession. She’s by no means been extra in-demand, and has proven over the just about 25 years she’s been appearing that she actually can do all of it.
Reprising Roles
This 12 months it was revealed that Hathaway could be returning to 2 of her most beloved characters. Her breakthrough position as Mia Thermopolis in “The Princess Diaries” motion pictures, launched in 2001 and 2004, might be revitalized in a 3rd film. And the movie that cemented Hathaway into the style world, “The Devil Wears Prada,” will even be getting a reboot, with a deliberate sequel unveiled final July.
“I used to be so fantastically cared for on each of these movies,” Hathaway says. “I used to be a child, like a authorized youngster, once I made ‘Princess Diaries’ — I turned 18 whereas we had been making it, and I used to be a really, very younger lady once I made ‘Devil Wears Prada.’ I used to be so guided and sorted and cared for by the communities that made each of these movies specifically, every of their administrators, Garry Marshall and David Frankel. I’m so excited that now I can do this for different individuals, that now I’ve the data and the expertise and the boldness to deal with different individuals on units through which I’m checked out as a pacesetter.”
It is likely to be anticipated that having turn into a world-famous actress with an Oscar and her personal manufacturing firm as effectively that Hathaway wouldn’t be that eager to dive again into earlier roles. But she’s huge on long-term relationships: she’s had the identical supervisor since she was 16, the identical brokers since her early 20s, the identical legal professionals and publicists for almost as lengthy.
“I’m a Scorpio — I actually determine as a Scorpio and Scorpios are so huge on loyalty,” she says. “Even although I’m nonetheless — I don’t even know the best way to describe what my age is — however although I nonetheless really feel youthful, I can say with a point of certainty and confidence that I feel you’ve received to season the pan and issues get actually, actually tasty after 20 years. And so to think about the artwork and the storytelling that may be born from that place, that makes me actually excited.”
“I’ve been an admirer of Anne’s for years, not simply her motion pictures, her vary and her urge for food for danger, but in addition how she’s dealt with herself and grown up in an business that’s fickle and tumultuous, whereas all the time sustaining her core authenticity and beauty,” says Adele Lim, the screenwriter of “Crazy Rich Asians” who will direct the brand new “Princess Diaries” movie. “There are numerous teen princesses, however Anne is definitely in her queen period.”
Hathaway stays tight-lipped about any specifics of both movie — “I can’t let you know a factor!” — but when followers have any sway the productions might be underway as quickly as attainable. And that works for her: Until July, she’d labored back-to-back for 4 straight years, and her listing of upcoming movies is infinite. Up subsequent is “Mother Mary,” through which she performs a well-known musician reverse Michaela Coel and Hunter Schafer; “Flowervale Street,” a science fiction movie with Ewan McGregor and Maisy Stella; an adaptation of Caro Claire Burke’s novel “Yesteryear,” which she’ll additionally produce; and James Gray’s “Paper Tiger,” costarring Adam Driver and Jeremy Strong, amongst others.
In the Driver’s Seat
In different phrases, it’s clear that Hathaway nonetheless has so much she needs to perform.
“It’s such an uncommon job that you just join, and I’ve by no means felt like I’ve — maybe some individuals who solely make billion-grossing motion pictures can really feel this fashion, however when you love impartial cinema as a lot as I do, you’re all the time grateful for the roles that hold the lights on and having the ability to travel between the 2 of them,” she says.
In November, it was revealed that she is becoming a member of Christopher Nolan’s upcoming movie, alongside Zendaya, Matt Damon, Tom Holland, Charlize Theron, Robert Pattinson and Lupita Nyong’o. Hathaway first labored with Nolan in “The Dark Knight Rises” in 2012 and once more in 2014’s “Interstellar,” now a decade in the past. Joining him for a 3rd movie has her confused.
“I’ve so many emotions about it that I don’t even know the best way to articulate. It fills me with a lot pleasure, and I don’t know the best way to discuss it,” she says. “I like Chris and Emma Nolan a lot, and to be invited into their world is, I imply, I do know from expertise it’s top-of-the-line locations you’ll find your self. Getting to be invited twice actually felt like one thing, three felt like it will’ve been grasping, so I by no means let myself hope that that might occur, and that it has makes me emotional, to be completely trustworthy. It makes me really feel like I’m doing one thing proper.”
Between the 2 Nolan movies she gained the Oscar for “Les Misérables.” Coming again into Nolan’s universe for “Interstellar” after the depth of the Oscars expertise was “vitalizing, reviving, encouraging, and it was only a present in that second.”
“Getting ‘Interstellar’ at any level in your life would have been a profession spotlight. The second that I received to enter that world, for me personally, it was the most secure and most exhilarating place I may ever be as an actor and as a human,” she says.
Hathaway has began producing by way of her firm Somewhere Projects, together with this 12 months’s “The Idea of You,” placing her extra within the driver’s seat. In the times following this interview, information broke that she and “The Idea of You” director Michael Showalter will subsequent crew collectively on an adaptation of Colleen Hoover’s “Verity,” which Hathaway will star in and function a producer on. As she now mulls over scripts with the objective of manufacturing, she stays as as ever in exhibiting her vary.
“When you’re launched to the world by way of comedy and drama comes subsequent, which is simply what occurred to me, I feel that versatility turns into one thing that could be a essential a part of your skillset,” she says. “Given the truth that I didn’t go to drama college, and I did begin as younger as I did, a lot of my studying occurred on set in actual time within the movies that I used to be in. And it was wonderful as a result of so lots of the administrators that I’ve labored with are grasp administrators by way of the extent they’re at with their craft. It additionally meant that I’d search out a three-scene half in a director’s piece in the event that they had been wonderful, after which I’d attempt to do my greatest in that work and attempt to turn into higher in actual time on the set that I used to be on.
“And so I’m actually excited that I’m an actor who’s had a profession that spans a long time, and one of many issues that I’m simply actually happy with is that at this stage in my profession, administrators can see me in a complete lot of various kinds of components, and that wasn’t one thing I feel anyone anticipated on Day One.”
She names Emma Seligman and Maggie Gyllenhaal as administrators on her radar in the meanwhile, in addition to a want listing merchandise that comes as a shock:
“I haven’t made an important Christmas film,” she says. “I do know that’s a bizarre bucket listing factor, however I’m determined to make a Christmas film.”
Her profession has already checked packing containers many film stars take a long time to work by way of. She’s completed indie, she’s completed box-office smash hits, there was each comedy and drama, there have been awards. And with all that underneath her belt she’s now discovered herself in a candy spot, working tougher than ever and having fun with the journey.
“There’s plenty of alternative ways your profession can go as an actor, and I’m very, very, very conscious of that,” she says, “and I’m genuinely amazed that that is the model that I’m having.”
Photographs by Heather Hazzan
Syled by Alex Badia
Senior Market Editor, Accessories: Thomas Waller
Women’s Fashion Market Editor: Emily Mercer
DP Grayson Kohs
Motion Stills Grayson Kohs + Heather Hazzan
Creative Set Design Calvy Click
Makeup by Gucci Westman
Hair by Orlando Pita
Nails by Jin Soon Choi
Movement Coach: Dani Vitale
Fashion Assistants: Ari Stark & Kimberly Infante
Lighting VSNY Films
Photo Assistant Paigge Warton
Film Process/Scan/Prints, Stills phtsdr
Film Process/Scan, Motion Metropolis
Post Production, Stills phtsdr
Post Production, Motion Stills Alberto Maro
Studio Daylight Flatiron
Hathaway’s Facial by Georgia Louise